Category Archives: recordings

25 fps for Canon EOS 5D Mark II

The wait is over. In the early hours of this day Canon released firmware update 2.0.3 for Canon EOS 5D Mark II, which enables recording at 25 fps, as it was until now the only Canon camera that didn’t have this option. Included in this update is also a function for manually adjusting the sound recording level, a histogram display for shooting movies in manual exposure and changes the audio sampling frequency from 44.1 KHz to 48 KHz.

Shooting with less than 30 fps was the most wanted function since they introduced the camera and the wanting became even stronger as the introduced other models of camera bodies (1D Mark IV, 7D, 550D) that had this function. The loudest proponent for 24p and 25p was definitely Stu Maschwitz on its blog ProLost. There was a lot of blog posts this morning about the upgrade and there is an explosion of cats and dogs test videos on Vimeo recorded with the new firmware. Philip Blooms blog has some more serious movies as he had the firmware in his hands for quite some weeks.

What does this upgrade changes for me? Nothing directly or better, nothing at the moment. It is true that I am preparing for the large test of different DSLR cameras. I planned to record with Canon 5D Mark II, Canon 7D, Canon 1D Mark IV, Canon D550, Nikon D3s, Nikon D300s, Nikon D90 and Panasonic G1 at the same time and have made a special rig that has the option of holding five camera bodies at the same time.

First package

I got the idea watching studio photography tutorials – I think it was Joe McNally, where I saw a rig that enables you to have laptop next to the camera on a tripod so that you can do tethered shooting and see the images at the same moment on the laptop.

Tethered camera and laptop setup

The base for the system is Manfrotto 131DDB Horizontal 4 Head Accessory Arm and Manfrotto 183 Aluminium Table Attachment. The arm has two screws at the ends which I also used in combination with Manfrotto 553 Angle Bracket for Lever Center Column and so I got the option for attaching four heads (if you remove the laptop table of course). I hoped that I could then attach Manfrotto Quick Change Rect. Plate Adaptor directly on the 3/8” screws but it couldn’t be done.

Quick Change Rect. Plates

So I bought some Manfrotto 494 Ball Head with Friction Control which attached to the Arm together with quick change plates. I gained place for another body with Manfrotto Super Clamp MN035, Manfrotto 208 3/8-inch Mounting Plate For Super Clamp and another quick plate.

There is room for five bodies

Now I have a rig that can hold five camera bodies, but there are eight cameras that I want to test. I probably won’t be able to get them at the same time. Canon 1D and 5D I intend to borrow from Samo Vidic, but he is very busy at the moment so I will probably get his cameras not before middle of april, my father has a 7D, I will borrow Nikon D3s and D300s from Nikon Slovenia, D90 from my friend Matjaž, Panasonic G1 from Jure, who doesn’t know anything about it at the moment and 550D from camera store Foto Format. I would like to test all of them with 50mm f/1.4 lens which represents anther problem, as I need four Canon ones, three Nikon and one micro four thirds one.

Rig is attached to the Manfrotto 525 sticks with 501HDV head

While I was writing this post I found out that I can add another body to the rig with some spare Manfrotto parts. Now I have place for six bodies. I also checked with F90x and D200, so there is enough space between heads for the bodies.

Why did I continue this post about firmware update with the rig. I wanted to record everything in 25 fps, so I waited for Canon to release the firmware. I have no excuse any more. I only need to organise to have all equipment together for a weekend. I probably have some time until then and I can focus on the story of the test movie so it won’t be another pet video or video about local scenery.

Slovenski prevod vpisa najdete na tej strani.

Streets at Night III – Canon EOS-1D Mark IV

This is my third video in Streets at Night series. I got Canon EOS-1D Mark IV and lenses EF 16-35mm f/2.8L II USM, EF 24-70mm f/2.8L USM and EF 70-200mm f/2.8L USM from photographer Samo Vidic. I shoot the clips the same as before (Streets at Night I – Canon EOS-5D Mark IIStreets at Night II – Nikon D3s). I edited in h.264 sequence as is the native codec of the camera. I converted the files to ProRes with export to Color. I wanted to make orange snow white. Color orange came from the street lights even though I set the white balance to 2500 K. When I color corrected the shots to make the snow white I probably made the noise more visible as this is the noisiest of the movies. Nikon has also the advantage of better looking digital noise.

Canon EOS-5D Mark II has the least noise so far, but I also didn’t do much color correction then. I wanted to see the settings I used then because Canon writes on the card besides the video file small thumbnail which is actually a .jpeg file with EXIF info. But unfortunately there is no info about ISO setting or white balance, but at least I found out about which lenses and apertures I used. It would be nice to have the same information with Nikon video mode.

Unprocessed frames from the clips look like this (click on the image if you want to see it at full resolution).

Canon EOS-5D Mark II, ISO and exposure automatic, 50mm lens, which is strange as I only had EF85mm f/1.8 USM, EF16-35mm f/2.8L USM and EF15mm f/2.8 Fisheye

Nikon D3s, 24-70mm f/2.8, shutter 1/50s, WB 2500 K

Canon-EOS-1D-Mark-IV, 24-70mm f/2.8 at 46mm, f/2.8, ISO 6400, shutter 1/50s, WB 2500 K.

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Streets at Night II – Nikon D3s!

Last thursday (Jan 7th) I got a loaner Nikon D3s with 14-24mm f/2.8 and 24-70mm f/2.8 lenses from Nikon Slovenia. I wanted to check if it fits into our workflow at work (Baza Media 2.1) using Sony EX1 cameras for recording Red Bull events, so I took it with me to Beograd at Red Bull Street Style. But before the real test I wanted to repeat the story from a year ago when I got a loaner Canon EOS 5D mark II.

Nikon D3s, 14-24mm f/2.8, 24-70 f/2.8, 80-200mm f/2.8

Nikon D3s, 14-24mm f/2.8, 24-70 f/2.8, 80-200mm f/2.8

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Ars Electronica 2009

In few hours I am going to Linz (Austria) to see what is new ate Ars Electronica festival. This year should be something special as the opened new Ars Electronica Center.

Until I post this year’s clips, you can watch a short summary of last year’s festival.
Warning: Footage is very grainy, because I recorded everything with f/2.8 zoom and HV20 w/adapter is not very sensitive to light. I hope that this year will be better as I will be recording only with 50mm f/1.4 prime.

Red Bull Cliff Diving in Mostar!

We came to Mostar at two o’clock at Hotel Kriva Čuprija 2. I went to sleep at three. Woke up early with intentions to see Mostar in morning light. Old bridge without tourists. Four hours of sleep, early waking and I did it. Yatta! I was lucky that the hotel was 500m away from the bridge.

Jutro nad Mostarjem (fotografija narejena in obdelana z iPhone)

Mostar in morning light (photo was taken and edited on iPhone)

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Minimal configuration!

Next week I am going again on a trip to ex Yugoslavia shooting for Red Bull. From Monday (July 6) to Wednesday (July 8) I will be in Mostar (BiH) and from Thursday (July 9) to Sunday (July 12) in Dubrovnik (CRO). Our equipement at Baza Media 2.1 incorporates two Sony PMW-EX1 and Canon EOS 5D Mark II, which means that I won’t be needing my HV20 w/ SGPro adapter. But I decided that I reduce my configuration so it would fit to instead of big Pelican brief into small photographic backpack so I can take it with me anyway and shoot something for the blog if I found some free time.

HV20 w/ SGPro minimal configuration

HV20 w/ SGPro minimal configuration (click on the photo and look at the flickr notes for more info))

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Postproduction of Canon EOS 5D Mark II video!

There was a lot of posts about  Canon EOS 5D Mark II camera video mode, crushing of the blacks, QuickTime’s inability of showing luminance values higher than 100 and lower than 0. You can read more info about it at  ProLost – 5D crushing News and Full dynamic range video from Canon 5D MkII.

What I wanted to find out was, what can be done to eliminate as much defects and mistakes that Canon choose to build into this camera.

First I would like to say that this camera is amazing in low light situations which means I can shoot at night under the street lamps with no extra lights. You have to be careful though about the noise that appears at high ISO settings.

Few weeks back when we got at work (Baza Media 2.1) 5D on loan, I decided to take it on a test of my own. Before I even read the quick manuals  (Cinema 5D – The 5D mkII Handbook of Facts), I went out to shoot some material. It was already dark outside, so I went to the nearest crossroads and shood some cars passing by.

Streets at Night – Canon EOS 5D Mark II

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All is white – Kranjska Gora Live!

0730
I get up and slowly start to prepare myself and equipment. I know that we will not leave at 0800 as planned.

0932
With hour and a half delay we finally leave Ljubljana. We plan to go to Kranjska Gora to test Canon 5D Mark II shooting Marko Grilc and Bine Žalohar jumping at Funpark.

1059 I was the designated driver..

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Raging El Niño music video production

I swear, this will be the last post about music clip Raging El Niño, but as I promised… something about production of the clip.

After we decided about the script (written by Tadej – The Bananas), I started drawing storyboard. At first I wanted to draw everything by myself, but I noticed that my drawing skills aren’t that good, so I searched the internet for various photos to help me draw more professionally. That is how storyboard came to be.

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Finally, that day has come!

Premiere at Raca is over, on television too, so… here you have it. I hope you’ll like it. More about postproduction of the video coming soon. 

the Bananas – Raging El Niño

Glidetrack review!

On Monday (Nov 17) I finally got my Glidetrack from England Scotland. Lightweight camera track/dolly system. I ordered it the week before and soon after complications with shipping a 2,5kg package to Eastern Europe were over, it was on its way. They had stated shipping costs to USA and Europe as £26, but soon after my order was placed, they told me, that they got a message from postal service that shipping to Slovenia will cost them £120. After short search for other options they found new service for £48, that is £22 more than I already paid for, and that they want to meet me half way. So only £11 extra. I am very grateful to the team at Glidetrack.

Glidetrack w/ videohead Manfrotto 503

I wandered a litte, how to test the system. I can’t shoot anything at home ’cause I have all my equipment at work. And so it came. We had to do a piece on Damjan Kozole, film director, for Dnevnik. We had decided to put some more effort in recording the piece, ’cause he is from the world of film.

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Music video is finished!

Music clip for the song Raging El Niño is finished. Over the weekend I fine tuned the graphics. Yesterday was screening day. People came from the record label and one from the band. They liked it. No corrections. Today I just added the lower thirds – titles and exported in various formats. Sometimes that is eve harder that the production of the clip, because there are many different formats, compressions and dimensions in usually everybody wants its flavour.

Soon I will write about the postproduction of the music clip.

 

Rendering the effects was done in many stages

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El Niño is calming down!

It was a last filming day for Raging El Niño on tuesday (Oct 28).

We need to record an apartment scene, which we did at Jure and Petra in Komenda. It was decided that we will do that alone. Only Jure and me and that was a lot easier to coordinate.

We got together at 8 am. Petra was at home to, but she just occasionally looked on the set.

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